RUE: Poems. BOA Editions. Release date: April 1, 2020.
“A brilliant meditation on corporeality, history, and what it means to move through the natural and material world—be it a field of pennyroyal or the Dollar General—in a female body…. The complex ways in which we are connected to one another that together become a powerful reckoning on female strength and desire in the #MeToo era.”
—Erika Meitner, author of Holy Moly, Carry Me
“Kathryn Nuernberger’s remarkable collection Rue asks what it means to know another person, how imagination and action intersect to shape our experiences of love and desire.”
— Traci Brimhall, author of Saudade
“The animal violence underlying bourgeois decorum, the suffocating brutality of our patriarchy, and the gross and beastly truths of our human sexuality are all lined up here. Nuernberger knocks them down one by one with cutting humor, a breadth of erudition and book smarts, and the reassuring potency of her feminism.”
— Jaswinder Bolina, author of The 44th of July
“Let RUE bewitch you, let it charm you, as rue strung around the neck to keep your vision sharp and deflect from plague and remedy what ails you. Let it locate what ails you, and extract it with whatever needs to be said.”
— Jennifer Givhan, author of Rosa’s Einstein
Brief Interviews with the Romantic Past, Ohio State University Press, 2017
Could Marie Antoinette’s wigs get any higher? Could the anonymous women riding in hot air balloons alone with gentlemen be any more scandalous? Does an Ozark holler hold the mouth to a lost cave with the longest, thickest vein of gold in North America? Brief Interviews with the Romantic Past is a collection of rumors, secrets, tall tales, and lies that begins at the court of Louis XV and ends in the foothills of the Ozark Mountains.
With all the astonishments of history and the intimacy of memoir, Kathryn Nuernberger’s collection juxtaposes peripheral figures from the French Revolution—the assassin, the executioner, the mistress, the spy, the son of a slave, the transgender swordfighter—with the oral histories of poachers, prophets, well witches, and ghosts of the Ozarks a century later. In essays that are equal parts historical and personal, Nuernberger brings the marvelous strangeness of the past into our present moment with wry wit and insight. Nuernberger has an eye for salvaging overlooked snapshots of human decency and moments of moral courage—the memories of which we might just want to save for later.
The End of Pink, BOA Editions, 2016.
Winner of the 2015 James Laughlin Award, Kathryn Nuernberger’s The End of Pink is populated by strange characters—Bat Boy, automatons, taxidermied mermaids, snake oil salesmen, and Benjamin Franklin—all from the annals of science and pseudoscience. Equal parts fact and folklore, these poems look to the marvelous and the weird for a way to understand childbirth, parenthood, sickness, death, and—of course—joy.
“The remarkable designs of a landscape created by Kathryn Nuernberger give us such a stamp of hoof, wonder, and wit— so much wisdom and understanding of what it means to truly fling your body into the world. This is an unforgettable collection of sly-sexy poems of desire, grief, and motherhood, finally offering up the “truth of it, the refracted light and blooming anemones of it, the red/ coral and unfurling starfish of it.” But perhaps the greatest gift from The End of Pink is the insistence of “how very emerald joy is, how very leafed with lapis and gilding”—a passionate aide-mémoire to hold off a surrender to the dark.” -Aimee Nezhukumatathil
“The poetry of Kathryn Nuernberger vibrates with an intense awareness of the strangeness of being a conscious being. Her narration of outlandish scientific experiments and hunting expeditions, along with her contemplation of olds, human mutations, and narwhals, are voiced with that searingly matter-of-fact quality found in fairy tales (more often than not the scary kind)….This is an appealingly unsettling debut of a highly gifted poet.” -J. Allyn Rosser
“This is a poetry of pain and power…whether describing the precise coloration of fruit skin, the contours of memory, or secrets of Fatima which turn out to be “cryptic mumbo jumbo,” Rag & Bonereveals complicated truths with rare eloquence and wit. Whatever the future holds, Nuernberger remembers, even as she beholds the present with blinding intensity. Lyrical and deeply felt, the poems in Rag & Bone track the movement of a sometimes skeptical but always engaged and impassioned mind.” -Jane Satterfield