I had such a nice time reading for University of Arizona MFA Program’s Distinguished Visitor Series alongside Paisley Rekdal. I read an essay about Lisbey Nypan and another how obsessed witch hunters were with spoiled milk. We touched on some deeply weird shit about the tilberi.
I’m so grateful to largehearted boy for inviting me to make a The Witch of Eye playlist.
In “The Invention of Mothers,” an essay from The Witch of Eye that is close to my heart, I wrote about Rhiannon, the fairy queen best known for having called forth the Alder Rhiannon, those three magical birds who sing so beautifully they send the living to sleep and raise the dead from their slumber.
So of course a The Witch of Eye playlist must include Fleetwood Mac’s “Rhiannon.”
Happy Valentine’s Day! Last night I launched The Witch of Eye in the good company of writers, friends, and inspirations who each shared a love spell
A common question I get, since I wrote poetry and creative nonfiction, has to do with how I know what genre a piece of writing should be in. One answer I have given to this question is to say that the work will teach you its form, to just write, and see what shape it takes on. But there are other ways to think about genre, form, and what that thing you are writing wants to be.
I was really delighted to have the chance to do a reading and conversation with John Gallaher about conversational rhythms, tones, and rhetorics as sources of inspiration towards poetic forms. Before the reading, John and I put together a list of books that have influenced our thinking about talk.
I’m so grateful to The Social Distance Series Reading Series from Green Mountains Review for adding me to their line-up. You can see my 15-minute reading here…